Minter Dial
Minter Dial is an international professional speaker, author & consultant on Leadership, Branding and Digital Strategy. After a successful international career at L’Oréal, Minter Dial returned to his entrepreneurial roots and has spent the last ten years helping senior management teams and Boards to adapt to the new exigencies of the digitally enhanced marketplace. He has worked with world-class organisations to help activate their brand strategies, and figure out how best to integrate new technologies, digital tools, devices and platforms. Above all, Minter works to catalyse a change in mindset and dial up transformation. Minter received his BA in Trilingual Literature from Yale University (1987) and gained his MBA at INSEAD, Fontainebleau (1993).
His books include Heartificial Empathy, Putting Heart into Business and Artificial Intelligence, bowed in December 2018 and won the Book Excellence Award 2019 as well as being shortlisted for the Business Book Awards 2019. It's available in Audiobook, Kindle and Paperback. He is also co-author of Futureproof (Pearson, Sep 2017) and sole author of The Last Ring Home (Myndset Press, Nov 2016), a book and documentary film, both of which have won awards and critical acclaim. Minter's latest book, You Lead, How being yourself makes you a better leader, published by Kogan Page, won the Business Book Award 2022 in the category of Leadership.
It's easy to inquire about booking Minter Dial here.
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The graph shows decline per physical support… But it’s been several years now since the music industry understood it has to find other revenue sources (esp. events, concerts, edition, …).
I’d really like to see the ratio of CD/digital sales in those companies revenues.
Minter,
The graph has been corrected, with several additional graphs:
http://www.businessinsider.com/these-charts-explain-the-real-death-of-the-music-industry-2011-2
Here are some important points coaxed from the data:
Cheers,
Mike
@PJ Grizel: You are right that they have known for a while… They certainly have taken a long time to shift gears! What I would like to see is the business model concerning concerts, tickets & merchandising…
@Mike: thanks for the corrections and the most revealing stats. It makes me wonder how musicians are faring in all that? What’s working? Niche music, playing at clubs, genius kids on YouTube?